All tagged Biography

Green Book (2018)

I hate many aspects of modern Hollywood films. The list goes on and on. But if there is one thing I absolutely despise, its a forced message. When I say forced message I don’t mean something that’s easy to figure out. I mean like someone shoving their ideas into my throat every chance they get. That is what this film felt like. When I heard this film had some Oscar buzz surrounding it, I was intrigued. Didn’t read up on the summary or watch the trailer, just went into it blindly. Well now I know why this is getting that buzz. It’s the type of film I would expect people who work at Hollywood enjoy. Let’s just say it appeals strongly to one side of the political spectrum. I don’t really like to bring up politics when I am writing up my review. But since I had to sit through two hours of “racism is bad” being shoved down my throat, I think it’s justified that I can express myself freely.

First Man (2018)

Damien Chazelle came into the film industry with a bang. In 2014 he came out with a low budget film about a boy and his dream to be a great drummer. What he did not expect was the tremendous amount of support and praise to come his way. Whiplash was a huge success, and it is my personal favorite of his. I got excited for what more he could offer with more experience and a higher budget. Two years after Whiplash, in 2016, he came out with another music based film, La La Land. Now, I am really not a fan of musicals at all, but Chazelle made one that was so good that I could not deny its greatness. The film was the buzz of the year, and it was a huge contender for the Oscars. This was a man who was still in his early 30s and was able to create two critically acclaimed films in a matter of 3 years. His potential seemed endless. However, both those films had one thing in common, music. We all knew that Chazelle had a gift for incorporating music with film and exploring new ways to integrate both mediums. So when I heard he was coming out with a biopic about Neil Armstrong, I had no idea how it would come out. Was he a fluke? Was he a one trick pony? Can he do something other than music themed films and it still be as good? The answer to all those questions no, no, and yes but not as good.

Caro Diario (1993)

The toughest aspect of being a cinephile in my opinion is deciding what to watch next. Its always the same scenario. I finally find some free time to watch a film, and I ultimately sit there staring at hundreds of films and ending up wasting all the free time I had. This has been a constant issue, and I tried many methods to try and fix this. The latest method has to do with the book 1001 Movies To See Before You Die. I've had the book for a long time, but never used it as a definitive guide. I would just on occasion go through it and sometimes find something that peaks my interest. Well, I decided that I am sick of not being able to choose a film to watch, I made the book do it for me. I went on and I made it pick a page number. It landed on the film you are currently reading the review for. I had no idea what the film was about or anything. I went online and found it and started watching. Here are my thoughts.

Darkest Hour (2017)

Oscar season is here and biopics are upon us. One of the easiest ways to grab the attention of the academy is to bring a talented actor and make him play in a biopic. Lincoln, Last King of Scotland, Jackie, The Iron Lady... etc. The list goes on and on. Darkest Hour joins these films as becoming an Oscar grab for its lead actor. When watching this film I realized that I had a serious issue with most of these biopics. I feel like a lot of them (especially ones that only manage to get best actor/actress award and nothing else), have great acting coupled with a bland film. Darkest Hour unfortunately follows this trend.

The Disaster Artist (2017)

The first 20 minutes of The Disaster Artist went by and all I was feeling was... Cringe. I felt this awkward feeling all around me. No one in the theater was laughing, and everything James and Dave Franco were doing felt really strange. Then it clicked. That's the whole point. The film is giving us the feeling of why The Room became so beloved. Because after half an hour of no laughter from the audience, you start hearing hysterical laughter with every scene that comes. This is what The Room did to audiences back in the day and this is what The Disaster Artist did as well.